Postcards from Pakistan

Postcard from Shah Shams Sabzwari Shrine - a saint, a shrine, a story

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We visited Multan in March as the weather was good for travelling, it was considered mild with most days in the low 30 degrees Celsius.  Multan experiences some of the most extreme temperatures in the country with very cold winters and long, scorching summers.  As Multan sits close to the Cholistan Desert the city also experiences many dust storms.    The average temperature in summer sits in the mid 40’s but it has reached into the mid 50’s.

The air had cleared the day we visited the Shah Shams Sabzwari Shrine to reveal a light blue sky with white clouds.  The shrine was the least well looked after shrine we visited in Multan.  Built in 1329, extensively damaged by fire in 1770 and rebuilt in 1779.  It once sat by the side of the Ravi River, but the river has now moved.  I am now beginning to recognise the Multani style of architecture for shrines – a square base, topped by an octagonal level, minarets on each corner, finished with a dome, this time the dome was green not white. There were, of course, lots of beautiful Multani glazed tiles.  Across the courtyard from the shrine sits a white mosque.  Inside and outside of the shrine it is busy with people and stalls selling religious items, souvenirs and traditional Multani wood blocked print cloth. 

When I was doing some background reading for this blog, I found a wonderful website called Oriental Architecture (link below).  As well as the usual information on building dates and dimensions I came across the most wonderful story about Shah Shams Sabzwari and Bahauddin Zakariya (see my previous blog on his shrine).  

The story goes that when Shams arrived Zakariya was not happy as he didn’t like yet another saint arriving in his city.  Zakariya sent Shams a cup filled to the top with milk.  A not too subtle way of saying the city is full of saints.  Shams sent the full cup back with a rose petal on the top as a way of saying his presence wouldn’t disturb Zakariya.  

Zakariya wasn’t happy about the cup being returned so ordered the city merchants not to sell anything to Shams.  Shams took pity on his disciples who were hungry and caught a pigeon for them to eat (you will have seen from my other blogs how important pigeons are in the city and that there are so many of them).  But no merchant would agree to cook the pigeon.  Shams took the pigeon and asked the sun to come closer and cook the bird.  The sun came closer, the bird was cooked.  The sun never moved back to its original position and this explains why Multan is so very hot.  

 I want to return to Multan to seek out more of its wonderful treasures, but I won’t return in the summer!

https://orientalarchitecture.com/sid/1321/pakistan/multan/shah-shams-sabzwari-tomb

Entrance to the courtyard surrounding the shrine

Entrance to the courtyard surrounding the shrine

green dome, blue tiles, red bricks

green dome, blue tiles, red bricks

Entrance to the shrine

Entrance to the shrine

Multani blue and white glazed tiles

Multani blue and white glazed tiles

Ceiling detail

Ceiling detail

Multani blue and white glazed tiles

Multani blue and white glazed tiles

Man selling religious items

Man selling religious items

The mosque inside the courtyard

The mosque inside the courtyard

One of the entrances to the mosque

One of the entrances to the mosque

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Postcard from Bahauddin Zakariya Shrine, Multan

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We didn’t have to travel far from the shrine of Shah Rukn-e-Alam to get to our next shrine, the shrine of his grandfather, Bahauddin Zakariya.  His full name was Sheikh Kabir Sheikhul Salam Bahauddin Zakariya Al-Asadi-Al Hashmi.  

 Bahauddin Zakariya was born in 1170AD and died in 1262AD.  The shrine was built before his death and he paid for the building himself, unusual for the time.  Bahauddin Zakariya founded the Suhrawardiyya order of Sufism.  This particular branch of Sufism favoured close contacts with society, established trade schools and renounced austerity.  

 His tomb is definitely not austere.  The base is a square, on top of this is an octagon, topped by a white dome with white minarets.  The tomb is decorated with the traditional Multani blue and white glazed tiles, detailed woodwork, and Arabic inscriptions. 

 Bahauddin Zakariya has been reported to have said ‘Our Multan is comparable to Paradise – tread slowly, the angels are paying obeisance here’.  You certainly feel awe as you walk around the tomb and you should definitely tread slowly around Multan, an amazing city.

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Multani blue and white glazed tiles

Multani blue and white glazed tiles

The first time I’ve seen a pillar covered in Multani blue and white glazed tiles

The first time I’ve seen a pillar covered in Multani blue and white glazed tiles

Remains of Multani tiles on the outside of the shrine

Remains of Multani tiles on the outside of the shrine

Inside the shrine

Inside the shrine

Top of the dome, inside the shrine

Top of the dome, inside the shrine

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Doorway into the shrine

Doorway into the shrine

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Gateway into the courtyard

Gateway into the courtyard

We stopped and listened to a man singing and playing an harmonium

We stopped and listened to a man singing and playing an harmonium

Normally the entrance would be filled with people but they were kept waiting as we visited the shrine

Normally the entrance would be filled with people but they were kept waiting as we visited the shrine

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Postcard from Shah Rukn-e-Alam (Pillar of the World) Shrine, Multan

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As I rounded the corner from the bazaar the tomb of Shah Rukn-e-Alam came into view on top of the mound of an old fort.  I can see why it is listed as a possible UNESCO World Heritage Site.  It is an imposing three-tiered structure, surrounded by a large courtyard.  The first section is an octagon with round towers at each corner, this is topped by another octagon with white tomes, topped by a 15-meter diameter white dome. The building was thoughtfully restored in the 1970’s and uses a mix of red bricks, traditional Multani glazed tiles, and shisham wood. 

The tomb was built between 1320 and 1324 by Ghiyath al-Din Tughluq and was thought to have been built for his family.  However, the tomb was gifted to the family of Rukn-e-Alam and his remains were moved to the shrine in 1330.

During the Tughluq period Islam spread through the region by large numbers of Sufi teachers.  By the early 12th century Multan was regarded as a centre of Sufi learning.  Shah Rukn-e-Alam (Pillar of the World) was a Sufi saint.  He came from a long line of saints, his grandfather was Bahauddin Zakariya, I will write another blog about Bahauddin Zakariya and his shrine that is situated very close to this one.  The Pakistan Foreign Minister, Shah Mehmood Qureshi, is the current custodian of the tomb.

Shah Rukn-e-Alam is still revered today and annually over 100,000 pilgrims from all over South Asia visit the shrine.  I can now add myself to that number.  

Shah Rukn-e-Alam Shrine seen from the bazaar

Shah Rukn-e-Alam Shrine seen from the bazaar

Gateway into the shrine

Gateway into the shrine

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Traditional Multani blue and white glazed tiles

Traditional Multani blue and white glazed tiles

Rose petals for sale outside to scatter over the tomb

Rose petals for sale outside to scatter over the tomb

Tomb surrounded by 72 graves of his family

Tomb surrounded by 72 graves of his family

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Decorative shisham wood panel

Decorative shisham wood panel

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Lighting candles outside the shrine

Lighting candles outside the shrine

View of the Shrine from the top of the Multan Museum

View of the Shrine from the top of the Multan Museum

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Postcard from Shah Yousaf Gardezi Shrine, Multan

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We parked the cars next to an alley, at the end there was a wall made of rough red bricks.  We walked through a modest gateway and found ourselves in Shah Yousaf Gardezi Shrine’s courtyard, outside was noisy and busy while inside was a world of quiet and prayer.  

 In the centre is a square, flat roofed tomb.  The outside is covered in Multan’s famous blue and white glazed tiles, while inside is covered in mirrorwork, known as aina-kari.  Small, finely cut mirrors are arranged in geometric and/or flowers and plants.  Aina-kari is supposed to have begun in Iran however some say that Venetian artists brought the art form to Iran.  

 Shah Yousaf Gardezi arrived in Multan from Afghanistan around 900 years ago.  The story is that he arrived riding a lion and holding a live snake with pigeons flying overhead.  Gardezi is said to have brought the Twelver Branch of Shia Islam to the city.   Shah Yousaf Gardezi died in 1136 and his tomb is recorded as having been originally built in 1152, rebuilt in 1548.

 As we walked around the shrine the evening call to prayer started.  Pigeons took off in flight around the tomb and settled in and around the tomb.  I think Shah Yousaf Gardezi would be pleased that the pigeons are still there.  

Outside the main entrance to the tomb

Outside the main entrance to the tomb

Inside the tomb

Inside the tomb

Example of aina-kari inside the tomb

Example of aina-kari inside the tomb

Close up of aina-kari

Close up of aina-kari

Tomb ceiling

Tomb ceiling

Multani blue and white tile work

Multani blue and white tile work

Close up of tile work

Close up of tile work

I like to imagine when this tree was planted and how many people have walked past and sat underneath

I like to imagine when this tree was planted and how many people have walked past and sat underneath

Close up of decorative tile work

Close up of decorative tile work

Walking around each side of the tomb

Walking around each side of the tomb

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Inside the courtyard

Inside the courtyard

Courtyard

Courtyard

Fresh rose petals scattered over a grave

Fresh rose petals scattered over a grave

Lighting of candles at prayer time

Lighting of candles at prayer time

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Postcard from Kallar Kahar

Kallar Kahar

Kallar Kahar

A welcome stop on our way from Islamabad to Multan was Kallar Kahar.  Our first stop was to visit Takht-e-Babar, the throne of the first Mughal Emperor, King Babar.  The throne was cut out of a block of stone so that King Babar could address his army on the way from Kabul to Dehli in 1519 AD.  The throne overlooks Kallar Khar Lake.  This lake is a saltwater lake, spread over 8 kilometres and is filled with birdlife.  We then stopped to see the Shrine of Abdul Qadir Gilani and the Peacock Shrine.  On the way up to the shrine you can stop at the many shops selling rosewater to sprinkle on the tomb. I’m sorry there are no photos of peacocks as we decided against taking the very small cable car up to the top of the hill.  Instead I practiced my Urdu with two charming women who graciously agreed to have their photos taken.  

Takht-e-Babar

Takht-e-Babar

Kallar Kahar Lake

Kallar Kahar Lake

Cable car across to the Peacock Shrine

Cable car across to the Peacock Shrine

On the road up to the shrine selling drinks, food and rosewater

On the road up to the shrine selling drinks, food and rosewater

Shrine of Abdul Qadir Gilani

Shrine of Abdul Qadir Gilani

At prayer

At prayer

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